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Your Audio Pro

Home Studio Equipment Reviews and Recommendations - Part 6

05/16/2011

13 Comments

 
For today's installment in our Home Studio Equipment Reviews and Recommendations Series the topic in part #6 is Headphones.

So here's the list; In the order of importance as I see them they are as follows:

  1. Microphone
  2. Computer
  3. Audio Interface
  4. DAW Software
  5. Power Conditioner
  6. Headphones
  7. Acoustic Treatment
  8. Studio Monitors (speakers)
  9. External Hard Drive
  10. Cables & Accessories


Many people new to professional audio don't understand what a proper pair of headphones are. In fact, I've found that people who have worked with audio for years sometimes don't know how to distinguish a proper pair of headphones. Do You? Look at the headphones next to you - are they ear buds ('in ear' type) or labelled, 'Pro', 'DJ' or 'Noise Canceling'? Don't worry - it's not necessarily a bad thing. Now think about how you use them - do you love the way music sounds on them, but hate listening to audio books (or vice versa)? Do they claim to pump more bass into your music? These are some of the factors that influence your selection when you're looking for a pair of casual use headphones. However there's one simple phrase to look for when you are searching for a good pair of headphones - 'Studio Monitor'.

Why Studio Monitor? It means the headphones are intended to give you a flat response across the sound spectrum. In fact, they will typically say something or even have a chart on the box with a notation '15hz to 25Khz frequency range'. Some will be higher, some will be lower. Don't worry - you probably can't hear everything they are capable of playing. Oddly enough - price (to a degree) doesn't always indicate an identifiable difference in performance.  And just like there is no one microphone perfect for all voices, there is no pair of headphones perfect for all ears. Let's go back to price. What price often does determine is the level of comfort, portability, appearance, quality of materials, name recognition and even life of the product.

So why did I mention to stay away from the ear buds, Pro, DJ or noise cancelling headphones? The ear bud style headphones will often lead to ear fatigue or discomfort (unless they are custom fit). The Pro, DJ and Noise Cancelling headphones typically 'color' the sound. Pro and DJ styles often add more bass and change the treble and mid tones of music. Mix on a Pro or DJ set of headphones and you'll find that everything sounds good on those headphones, but, when listening through standard speakers, it may sound very thin or unexpectedly muddy. Noise cancelling headphones are simple - they actively change the sound based on any interference, the same technology that allows you to hear music while on an airplane or train is what makes these unreliable for mixing.

So what to choose? Well, there are many more choices in our store -  but I'll share with you some of those options below that I know have worked well.

The ''Low End', 'Mid Range' and 'High End' distinction are not to say they are the lowest or the best, just a range with the average budget that clients have come to me with. You may decide your budget allows even more - and I will assure you there are options to suit you.

Low End:

For decent comfort, good sound, doesn’t allow much sound in or out. Some replaceable parts. The Audio-Technica ATHM40FS Precision Studio Headphones deliver clean audio and at about $50-60.

For good comfort, good sound and editing in more open environments.  Some say they are better than other low end, others disagree and say you're paying for the Sennheiser name. However, the Sennheiser HD-280 PRO Headphones seem to deliver between $80 - 90.

These are a bit of a quirk. People seem to love them or hate them. they are decent in their comfortable, clarity and collapsible. They even come with a soft bag for transporting. Caution - if you love them you won't want to use anything else. The Sony MDR7506 Professional
comes in at about $80-90

Mid Range:

Standard equipment at many recording studios/radio stations for great musical range, allows airflow for extended wear comfort – good for quiet home environments and studios they are my personal all around favorites: The AKG Acoustics K-240 Semi Open Studio Headphones have a good overall balance of price, clarity and comfort all for about $100

High End:

As you would expect we start with a set of headphones that is a step up in comfort, quality and appearance. These, like many high end headphones, have some replaceable parts to insure they will last you some time. The Audio-Technica ATHM50 Studio Monitor Headphones with Coiled Cable delivers it nicely for about $160

Again besting it's little brothers in several areas, these are comfortable for long periods of time, again have several replaceable parts and are good for areas where there might be distractions or in a bit more of a noisy environment. The Sennheiser HD 380 Pro might be right for you and cost about $190

Better Comfort, better sound and again doesn't allow much sound in or out. Several Replaceable parts make these last a long time. You'll often find these are labelled 'hands off' in broadcast studios as the owner doesn't want to share.The AKG K271MKII Closed Back Circumaural Headphones delivers all of the good of it's little brothers and makes it better for about $160

Now - like all equipment, you can spend as much as you have available for a lovely set of headphones that are hand built, have wooden ear-cups and a guarantee for comfort, etc. I hope you're able to add those to your collection some day. The sets I've shown you, however, should carry you into a new world of audio clarity. A word of caution, if you listen to your CD's with these or similar quality headphones - you may not want to use anything else. You'll hear what I mean if you do!

Stand by for next week's installment in our Home Studio Equipment Reviews and Recommendations Series for some discussion on what is commonly called 'Sound Proofing'. I prefer to call it Acoustic Treatment or Sound Management and it should be some fodder for great discussion.

Until then, onward and upward!
Mel

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Comments

Paul Strikwerda link
05/17/2011 9:43am

Many thanks for narrowing down the field for us, Mel. I use the AKG 240 studio and the Sennheiser HD 280 pro.

The AKG sounds much more open and "warm". The Sennheiser picks up every little detail and exposes it in an almost cold, clinical light.

As a naturally "bigheaded" person with generously sized ears, I found out that I should never just buy headphones without trying them on first.

The Sennheisers' ear cushions are too small and uncomfortable for me and start to irritate my ears after prolonged use. Because of the tight fit, these cans do a better job blocking ambient noise. However, in my almost soundproof studio, that's not an issue.

The coiled cable is another feature I don't like about the Sennheiser. It makes it too heavy and things get entangled in it constantly.

That's why I prefer my AKG 240. It fits my head perfectly and I never get tired of it. But whenever I have doubts about an edit or mix, I take out the Sennheiser for another listen, because it will expose any irregularities much better.

Reply
Tony Tee Neto link
05/17/2011 10:27am

Excellent advice.

As a DJ AND voice-over artist & producer, I would NEVER use my DJ headphones to mix down. If it were a last resort, I'd use them to monitor in the booth while recording, but never on a mix.

Great job.

Reply
Mel link
05/17/2011 10:29am

Paul, I can't agree more with your comments. I too have discovered the same issues with headphone fit.

The AKG 240's are the only pair I've heard the least complaints about, though brand new ones seem to require a brief 'break in' period.

While I use monitors and headphones to guage my mix these days, I have used different headphones in the past as well. Once I even set up a pair of car speakers in the studio to check the mix.

Mel

Reply
Mel link
05/17/2011 10:32am

Hi Tony - thanks for the input and compliment. Sounds like you learned the proper way to mix long ago.

Mel

Reply
Paul Strikwerda link
05/18/2011 7:47am

If I were in charge of the department of headphone improvement, I'd use memory foam for the ear pads, covered with washable fleece.

After a year of intense use, the leather-like material is showing cracks. The replacement ear pads for the AKG 240 are $10.35 each!

PS Did you know that Quincy Jones gave his name to a whole line of AKG headphones?

Reply
Mel link
05/18/2011 9:25am

You know Paul, I used to get a catalog that had fleece and leather replacement pads for the AKG 240's. I never bought them myself - but I know they exist somewhere in the custom market - out of Germany if I recall correctly.

AKG does make fleece pads, but likely not with memory foam. You would want to contact Frank Rodriguez frodrigu@harman.com. Phone +1 818 920-3279 to get some.

I did know about the Q putting his stamp on them, I think that says a lot!

Mel
Your Audio Pro

Reply
Arlene Cooke link
05/19/2011 8:38am

Thanks Mel. The Sony MDR7506 works well for me.

Reply
Mel link
05/19/2011 11:05am

Thanks Arlene - you're in good company with the Sony's!

Mel
Your Audio Pro

Reply
Dan Friedman link
05/19/2011 1:42pm

Thank you for this article. Very well done and thorough. I choose Sony 7506's and you are correct... I don't want anything else.

Dan Friedman
www.sound4VO.com
www.ProcommVoices.com

Reply
Ann Simmons link
05/19/2011 4:39pm

Thanks for the article, Mel. I also use the Sony 7506's and am very happy with them. It's an older pair, though, and they badly need the ear pads replaced - not so comfortable on longer sessions. Once that's done, I'll have no complaints. But I appreciate your thoroughness - at some point I'll replace these cans and it's good to know my full range of options.

Reply
Mel link
05/20/2011 12:03am

Thanks Dan & Ann. Oh, and Ann this link should do the trick for earpads http://ht.ly/4YRfZ

Mel
Your Audio Pro

Reply
John Maizels
05/20/2011 7:12pm

Mel, nice rundown. Yes, I'm a 7506 fan. The MDR-V6 is, as far as I've ever been able to confirm with testing and discussions with Sony, acoustically identical... I think only the cord (sometimes) and packaging is different. Yes, the pads self-destruct far too easily and quickly.

There is a major trap with listening to yourself on headphones: the circuit MUST preserve absolute phase between the mic and your ears. That has nothing

to do with the headphones, and a lot to do with the mixer. Think of it as when the positive air pressure from your mouth gets to your ears, it causes your

eardrum to move inwards. If the phase is reversed electronically, then the positive air pressure from your mouth causes the eardrum to move out, which

conflicts with the sound coming to your ear by bone conduction and conflicts with everything you've ever learned about how your voice sounds to you. I've

found radio desks which preserve phase on program monitor, but invert it on prelisten, or off-air. Creates all kinds of weirdness.

This is one of those areas where people *can* claim that "it's just in your head" because, in fact, it is... the effect of absolute phase reversal of your

voice cannot be apparent to anyone else no matter how they are listening.

John

PS: same trap with digital circuits that introduce more than 1mS of delay into the monitor path. You can hear it, but nobody else can.

Reply
Mel link
05/23/2011 1:04pm

Hi John,

Great feedback - and it's exactly why this is a fairly basic list. Many times the more the gear, the higher the likelihood that something will go awry. Something being out of phase is precisely one of those issues that's hard to tackle for many. Of course, the way to track it down and see where things are is to go through the chain one piece at a time. With most of the interfaces that I've recommended the norm is to plug the headphones directly in. Plugging your headphones into the computer, rather than the interface, will cause this issue. It's good to alert everyone, and I thank you for doing it in a way that many people will understand!

Best,
Mel
Your Audio Pro
www.YourAudioPro.com

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